A violin does not matter

I was about to go to sleep, but I couldn’t. Not after reading the latest stories of Ken Rockwell on my mobile phone. I had to fire up the laptop to be able to write this blog post.

Don’t get me wrong, I like Ken Rockwell’s blog, and I will continue reading it – mostly great stuff. However, it is sometimes irritating to read his analogies, like in the writing titled “If sharp lenses don’t matter, why do I talk about it?” on 3 October 2011. He claims “our choice of keyboard has nothing to do with what we have to say or the quality of the final result”, him meaning that it doesn’t matter what kind of lens we have regarding the final result. I am happy I can pick good information from among his sometimes provoking (and entertaining) writings, but I felt it is time to correct one recurring mistake he continues to feed to his readers. This misunderstood theme is also causing most flame threads in other photography sites when people have failed to find the good intentions of Ken behind his way of communication. Ken says “crappy camera can take good photos”, when he means “a pro with a crappy camera gets better results than a newborn with a D1s Mk4”. Most people don’t get this point at all.

Back to this specific case. First of all, the output of a keyboard is DIGITAL. The output of a lens is ANALOG. Digital means 1 is 1 and 0 is 0. There are no such things as a “good” 1 or a “bad” 0, when they are atomic parts of a digital file and not characters painted on a wall by an artist. Therefore, it truly doesn’t matter what kind of keyboard I used to write this this blog post. I decided to use a laptop for productivity and convenience, over using an Android phone with its touch screen — as Ken tries to point out. The characters you see on your screen depend on the rendering algorithm, your video card and the monitor. The message is the same. BUT, when I take a photo, a lens always makes a difference. It has analogue output to the CMOS of my DSLR, and the sharpness, colours, contrast, bokeh, all depend on the lens quality.

I agree with Ken that it doesn’t matter if I have a $10K lens yet I shoot bad compositions of no content and idea (this is what Ken tries to really say), but a lens can never ever be compared to a digital keyboard — the output is different between different lenses. A much better analogue would e.g. be to compare a great violin player using a crappy no-name violin and a crappy violin player using a Stratovarius. Which one would you rather listen? And only then you could truly claim and make other people understand that “a violin does not matter”.


There’s Something Good in Everything

Quite a few of my blog entries have been written as warnings or workaround instructiongs for various bugs I have wanted to be made Googleable or as notes to myself.

Well, now I just want to say some positive things. Aperture 3, despite of some bugs and troubles, is *very* good in many things. First of all, it hadles adjustments on the Canon RAW images really smoothly, showing the full size preview all the time when tuning the adjustment sliders. Second, organizing photos is really a pleasure, compared to any other photo software I have used before.

Also, there’s something good in winter too, despite the cold and too much snow in wrong places — the winter light. Here’s one photo I took from the top of Kasavuori, Espoo, in -20C. Equipment: Canon EOS 400D + EF-S 18-55. RAW post processing with Aperture 3.


Happy 2011!

Happy new year! :-)

(I upgraded my camera to Canon EOS 5D Mk 2 recently. I got the EF 24-105 f/4 L with it as the “kit objective”. Here is one of the few outdoors photos I have had time to take with the combo.)